Nacee’s KAVOD 26 delivers an evening of drama, laughter and gospel music at National Theatre

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Gospel musician and award-winning producer Nacee brought together drama, comedy and live gospel music for the second edition of his flagship entertainment event, KAVOD 26, held at the National Theatre in Accra on Sunday, November 8, 2026.

The show, which began at 6:25 p.m., featured an extensive lineup of musicians, actors and comedians in a production that moved between theatrical storytelling, stand-up comedy and live musical performances.

Unlike a conventional gospel concert, KAVOD 26 adopted various entertainment formats, with a dramatic opening setting the tone for an evening that combined humour, social commentary, nostalgia and worship.

Drama sets the tone

The evening opened with a short comedy-drama featuring GH Poki and Adom Best, who played a prophet and his assistant. Their humorous exchange introduced the story of Nacee, with the prophet recounting the musician’s achievements and contributions to the music industry.

Roselyn Felli, who served as the event’s MC, subsequently welcomed patrons and introduced the main theatrical production.

The play featured an ensemble cast comprising Vivian Jill, Foster Romanus, Clemento Suarez, Gadede Segbefia, DeLong, Deaconess Abokoma, Eno Fordjour, Jeneral Ntatia, Asafo Powers and other performers.

Centred on a family, the production explored themes of neglect, betrayal, compassion, family responsibility and the importance of standing by loved ones during difficult times.

At the heart of the story was Akua, played by Gadede Segbefia, a young woman battling fibroids who urgently needed GH¢30,000 for surgery.

Her predicament exposed the indifference and selfishness of some members of her family, particularly her financially comfortable brother, played by Foster Romanus, who repeatedly made excuses to avoid helping her despite having the means to do so.

Clemento Suarez portrayed the family head, an uncle who secretly received financial assistance from Akua’s love interest without informing her. Vivian Jill played Abrewa Mafia, a carefree aunt whose priorities revolved largely around money and personal enjoyment.

Deaconess Abokoma and Eno Fordjour brought additional humour to the production as two village gossips, while Jeneral Ntatia played Wofa Gyata, a family friend who persistently challenged the relatives to take responsibility for Akua’s welfare.

The plot took another turn with the arrival of Charles, played by DeLong, a former love interest who had travelled abroad after receiving an opportunity initially offered to him by Akua.

Having remained in contact with her uncle and sent money to support her, Charles returned to Ghana hoping to reunite with Akua, only to discover that she had never received the financial assistance.

Upon finding her, he offered to pay for her surgery and arrange a better living situation away from the family home.

His offer, however, came with an interesting condition. Akua could relocate with one person of her choosing. While her brother assumed he would naturally be selected, she chose Wofa Gyata, the one person who had consistently stood by her.

Another comic moment came with the appearance of Killer Ntua, played by Asafo Powers, as an overzealous lawyer who threatened to arrest and sue almost everyone around him.

Beyond the humour, the play delivered a social commentary on family neglect, financial irresponsibility and the importance of genuine support during difficult times.

Soul Winners and Jacinta take over

Following the theatrical production, gospel group Soul Winners took to the stage with a lively live-band performance.

The group performed a selection of its familiar gospel classics, drawing patrons out of their seats as the auditorium turned into a praise and dance session. Several audience members sang along to the nostalgic collection.

Comedian Jacinta followed with a stand-up performance, entertaining the audience with observations about cultural similarities and differences between Ghana and Nigeria.

Nacee makes a dramatic entrance

One of the evening’s major highlights came with Nacee’s first appearance.

The gospel musician made a dramatic entrance, emerging in a sparkling white outfit to an enthusiastic reception from patrons.

He immediately launched into a selection of his popular gospel songs, getting the audience on its feet as patrons sang along to the familiar tunes.

As he concluded that segment, Nacee descended from the stage and approached gospel singer Yvonne Menz, personally inviting her to take over the microphone.

Yvonne responded with a powerful worship ministration. Her soothing vocals and heartfelt delivery brought a more reflective atmosphere to the auditorium, offering a moment of worship amid the evening’s comedy and theatrical entertainment.

Comedy, cash and memorable moments

Comedian OB Amponsah subsequently took over, delivering a routine that drew laughter through jokes about his forehead, the challenges of driving small cars in Ghana and the assumption that their owners work as Uber drivers.

He also touched on the peculiar experiences of living in Kasoa, drawing on familiar aspects of everyday Ghanaian life.

Veteran gospel musician Cindy Thompson followed, returning the auditorium to a worshipful atmosphere with a selection of her well-known gospel classics. Her performance showcased her vocal strength and control, giving patrons another opportunity to sing along.

Parrot Mouth was next, bringing his spontaneous humour and familiar Ghana-Nigeria comparisons to the stage. He also took aim at Nigeria’s political situation under President Bola Tinubu.

One of the night’s funniest exchanges came when he spotted Prophet Ajagurajah, who was seated in the auditorium, and repeatedly approached him for money.

After several attempts, Ajagurajah responded by handing him bundles of cash, prompting excitement and laughter among the audience.

In an unexpected gesture, Parrot Mouth subsequently gave one of the bundles to a security officer stationed beneath the stage, earning applause from patrons.

Foster Romanus, apparently encouraged by the development, also approached Ajagurajah and secured some cash with Parrot Mouth’s assistance.

Jeffrey Nortey delivers another comic highlight

Foster Romanus later returned to the stage to introduce comedian and actor Jeffrey Nortey, whose entrance was greeted with loud cheers as patrons chanted his popular signature name, “Nuumo!”

Jeffrey delivered a series of punchlines, clever wordplay and witty observations, living up to the audience’s anticipation.

He incorporated Ajagurajah into some of his jokes before turning his attention to Nacee, using the musician’s name as the basis for a series of creative wordplays.

His closing lines drew on Akan expressions which bore a phonetic resemblance to Nacee’s name to deliver a memorable introduction of the gospel musician.

The wordplay earned enthusiastic applause and provided a fitting transition for Nacee’s return to the stage.

Nacee pays tribute to Bernice Offei

Returning for his second major performance, Nacee treated patrons to another extended musical set featuring more songs from his catalogue.

A particularly emotional moment came when he paid tribute to the late gospel musician Bernice Offei, performing some of her songs in her memory.

The tribute, which also acknowledged other departed personalities, introduced a reflective dimension to the evening and reminded patrons of the lasting contributions of musicians who have passed on.

Nacee subsequently invited Kofi Peprah to the stage, where the gospel musician delivered a performance that was warmly received.

Gospel minister Joe Mettle was then called upon to bring the musical proceedings to a close with a ministration that rounded off the evening.

KAVOD’s blend of entertainment continues

KAVOD 26 continued Nacee’s attempt to create a live entertainment platform that extends beyond the traditional gospel concert format by bringing together theatre, comedy and music.

The second edition followed the maiden production in November 2023, which similarly combined a theatrical portrayal of Nacee’s personal journey with live musical performances and comedy.

With an extensive cast of actors, comedians and gospel musicians, the 2026 production offered a varied programme that balanced storytelling, humour, nostalgia and worship.

From the opening drama and family-themed stage play to the comedy performances, musical tributes and final gospel ministrations, KAVOD 26 gave the National Theatre audience an evening that explored different dimensions of live entertainment under one roof.